And You Thought The Lions Were Bad | [Speakers v POM]
Apr 1, 2017 15:03:48 GMT -5
Post by Deleted on Apr 1, 2017 15:03:48 GMT -5
Sleep comes to you, warm and filling. You fought at first, harder than you had against Anise and Gabby, your tired eyelids lowering while you peddled your balloon bicycle across the arid plane. You scoff at Atlas that you’re too tired to steer, but after coasting down a dune and nearly turning the whole contraption over, you agree to curl up in the back of the basket. Minutes pass before you slip under the waves of sleep. Your hair catches the wind and covers your face, and in the darkness of night you lose touch with this world and drift into the next.
Happiness is fleeting—you think about how happy you were to have found Molly, and Atlas. Ringing fills your dreams as you tumble down into the void, a dark and gray that seem endless. You’re lost. But it’s not the bad kind of lost, not the terror you had running from the butterflies. This kind of loss is one you have carried since childhood. There is no sense of direction, only a sense that time slips further and further away from you. This perseverance of time is the only certainty—that no matter your choice of left or right, of happy faces and warm memories, you will continue forward. Happiness is not endless, but temporal; you can feel the colors of your dream, the memories of when you sat around a bonfire to sing songs with your cousin, the miracle of Sampson’s return.
Death comes, because it exists both within and outside of time. A chorus of voices sounds, sweet and melancholic, young boys in their youth gone too soon. Joined by those you’ve seen fall and yet to see fall—faces that show time is not just. But then, time does not exist for man. The world swims, your tiny body trapped in a lucid dream of color and darkness. Death will come, whether as a friend, with arms wrapped warm around you, or the villain to wrap your body in chains. And you think of Atlas, of his sincerity that there is no existence after death—but somehow you have moved beyond such a notion.
Perhaps there is no afterlife, no stardust, no world where you look back wistfully on times gone by. The stories are comforting, happy. Does Benat still live? You can hear his fiddle now, and know the joy that it brings to think of the old songs. So should it be the same for you, that you exist in the joy of another, until the world has stretched you to nothing. Yet joy gives birth to all things: your love of music came from hearing him fiddle, and so too can you bring the same to others. Goodness knew goodness; the cycle continued because you were willing to leave a part of yourself for other people to love. There could be no love, no hope, and no beginning without it. And it is not wearing a crown, or proving a point. No name written in a book or splashed across a screen would bring the joy that your love could.
A dull ring wakes you from your dreams, and your head aches. The scotch has caught up with you, and you wonder whether or not you’ll lose the contents of your stomach over the side of the basket. Atlas slumbers, and you smile at the way the sun spills across his body. For a boy that was so fearsome, he looked much like the little ones you tended back in district eleven. “Fuck…” You mutter with a hand over your head. “This is the worst… oh my gosh…” You close your eyes and rub them with both hands. You manage to stand, and slip over the side of the box and onto the sand. It’s then you see them—two figures from days ago, Fallon and Tamron.
“Atlas… Atlas! They—they’re alive! He’s alive! Tamron!” You clap your hands together and cry out. “Tamron, you old son of a gun!” You race toward them, forgetting yourself, still in a state between awake and hungover, thinking that this is just another day in district eleven. “I can’t believe it! You—you’re alive! We made it. You made it!” You clap your hand over your mouth, too shocked that the boy who started this journey with you, while worse for wear. You feel tears come again, but of joy that a piece of home is with you again.
You move to turn back to where you’d left the bicycle balloon, but before you get to take a single step, the earth starts to shift. You call out to Atlas but your voice is lost in the movement of the sands. The earth cracks and swallows itself, you first—into the blackness as though your life was to end that instant—only to find yourself covered in sand and right-side up again. You place your hands over your head when you feel the lobsters crawling around you. Larry begins to ring again and again, and the sound seems to startle the lobsters threatening to latch onto your body. Your crustacean friend hums and hisses (Larry, it seems, would not let another take Salome).
When the dust settles, you stand to brush the sand off your dress. “Are we all okay? Buddy system everyone, grab the hand of whoever is next to you, c’mon, get up.” You shift through the sands, only to spy the shadows crossing behind you. First is the girl from Eight, Gentian’s cousin. Then the child from Three. Last (and your stomach sinks), is Riven from Ten. You look to Atlas and then to the girl from Eight.
The games were strange—you had seen enemies use one another to their gain. Foes became friends, and the most unlikely would wind up together. You were living proof of this. But your head pounded at the thought that Gentian’s killer would so easily saddle up with his cousin. Perhaps there was less good than you knew. A part of you was wounded; Riven had been the girl in the training center that showed you how to disguise yourself. You were fated to have to take a fist to another, but she had gone and crushed sweet Gentian’s skull. A boy that promised to protect you and Molly, one too good.
“Riven?” Your voice is parched from the sand. “How…” You shake your head, staggering forward. You look to Eva. “Don’t you know… don’t you know what she did?” Maybe it is the pain in your head, or the ache in your chest, but you could feel the anger flush across your face. “You killed him. You killed Gentian. Don’t you know? She killed him…” You spit the words out, each one harder than the last to say.
“Does it mean nothing to anyone, that you don’t even care for your own family?” Where was this anger coming from? Why was it so much worse to know that people were willing to forget about their own family, their own flesh and blood? You could never do such a thing, you would never do such a thing. There was still good, Tamron was here, and Atlas, and—
“You snake!” You grit your teeth and flip your wrist. Your Razor Fan opens with a snap in your hand. You throw a hand on your hip and get ready to run. “I told you that I would cut you through if I saw you again.”
[Salome Izar uses her purple heart crayon to light flames across her razor fan (knife), and attacks Riven Fowley]
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1-50
[fire roll]
knife�1-50