This Is The Bad Place {39ers/Blades/DJ Quest ft. Shy Guy)
Nov 5, 2018 20:07:54 GMT -5
Post by aya on Nov 5, 2018 20:07:54 GMT -5
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It's a scene out of some absurd comedy: the twelve-year-old from Two - the youngest tribute in the arena, if not the smallest - hefts his oversized spiked club at the colossus of Rhodes and bonks him on the noggin. The frame freezes. Then the giant drops.
When Lex was eight, she'd grown frustrated by her pop's refusal to show her how to use the table saw in the Lionels' workshop. She'd proven herself perfectly capable with every other tool she'd used so far, but Arthur was adamant that mastering hand tools built character. So it was expected that Lex use the child-sized crosscut saw Arthur had made specifically for his daughter, at least for another couple years.
Spending five minutes hunched over a mitre box on a cut that would take five seconds for the hungry machine endlessly frustrated the impatient Lex. So one night, she took it upon herself to fire up the table saw on her own to expedite making cuts for her project so she could get to the fun part - actually assembling the coffin-shaped wardrobe. Only somehow, when Lex had turned the machine on, instead of revolving in place, the saw blade shot across the workshop like a shuriken and buried itself in the ornate black walnut armoire that Arthur had just applied finishing oil to that day.
Lex pulled the table saw's plug out of the wall and immediately shut down her operations for the evening. She was so nervous about Arthur's reaction - she could already picture him frowning so hard that his mustache fell off - that she camped out on the stoop of the shop for the rest of the night so that she could tell him before he saw for himself. When morning came, Arthur started to applaud her initiative, and Lex got so panicked trying to tell him what had happened that an untamable, confused laughter welled in her chest, sprang from her mouth like an anxious rabbit from a trembling hat.
It is the same reflux that burns its way up and out of her chest as Faux Rhodes hits the ground, an awful acid laughter she can't swallow back down.
There's objectively nothing funny about an overgrown boy's head caving in like that - no one's skull should ever bethat shapethose shapes. There's objectively nothing funny about the spitting anger. And, okay, maybe Quest Hertz and her obliviously snarky boombox scooting out of sight with a prominently displayed fuck-you finger is legitimately hilarious. Even with the shrill, persistent screech of feedback that's started playing out of the stereo's speakers all of a sudden.
With fight giving way to flight, Lex's darting eyes plot out an escape sequence in reverse:1. The landship — she can give it a push from the back, but
2. Denali will want that cleaver back, that's buried itself in the tree trunk off near the boy with the machete and
3. Denali. Frozen in place, one long continuous scream escaping her contorted mouth. Decidedly not speaker feedback.
Lexandriy stops laughing.
She rips the knife from the bark and sticks it between her teeth, then loops her free arm through Denali's. She guides the other girl towards the Trolley Problem — Denali's feet oblige, at least until they make it to the landship.
Fucking climb! Lex urges. But with a cleaver sandwiched between her jaws and no desire to cut her own lips off today, it comes out more like [attr="id","lSpeech"]"Fuh-huh kuh!" which doesn't have quite the same punch. So she's left with no choice but to wrap her arms around Denali's legs and hoist her into the cart. She collapses into her crafting nest, nonreactive to the clumsy boost or clumsier drop.
Knife still clenched in her teeth, Lex shoots a death glare at the remaining tributes before taking a running leap onto the back of the Trolley Problem, clattering away from the scene.
[attr="id","lSpeech"][flees with denali]
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