The Moth's Dance {Luke}
Aug 20, 2012 13:17:21 GMT -5
Post by kneedles on Aug 20, 2012 13:17:21 GMT -5
Tallow Tansy
[/size][/justify][/color]After the shadows lengthen, spreading evening’s darkness over the field, the moths come out to dance in the light of the lanterns. Tallow remembers a fight she had once with her brother on an evening like this one.She is eleven years old, her hair tied up in ribbon,sitting out on the porch and trying to catch bugs. Tallow manages to close her fist around a moth, keeping cupped delicately in hand so she can feel its wings brushing against her palm like blinking eyelashes. Between finger and thumb, Tallow holds one of the wings, watching the moth jerk wildly, astounded at its fragility. Scutcher is watching and something strange twists through her stomach as she grasps tightly, pulling at the wing until it comes away in her hand- sad and dead like a fallen leaf- letting the moth fall to the ground, still twitching, still writhing in its silent, strangely beautiful agony. Breath hitching sharp, Scutcher pushes her a little rougher than he should have done. “Tallow you shouldn't do that!” he commands, scooping up the moth himself, cradling it and running a delicate hand over the other wing as though to soothe it. “He aint never done nothin' to you.” Though she feels bad, Tallow is a little shaken at her cruelty, at the power of making something hurt- and the feeling isn’t so unpleasant as anyone would guess. Still as soft as anything, her brother closes his fist around the moth and squeezes down on it- to put it out of its misery. It crumples dead like a ball of paper or dried pressed flowers and Tallow, even at eleven, thinks that- if you got a choice- it isn’t so bad a death. Cupped and held close in Scutcher’s palm all gentle and warm like that.
Four years on and sometimes Tallow is still inclined to think the same, lips brushed together, separated by only the thin sheen of sweat and their skin, breathing the same breath and perched on the edge of a rising crescendo. I could die right here, right now and I would be happy. “Why would you do somethin' like that?” Tallow remembers Scutcher asking her, appalled, when the body of the moth is wiped from his palm and set onto the earth in a bizarrely reverential way. She shrugs, mumbles, "I dunno, Scutch, it aint a big deal. Most people don’t care about moths or nothing,” she tells him because he’s stupid and his biggest crime is not being able to grasp the clever cruelty that most men are inclined to.I was punishing it; because it was weak and because it could fly.
She wants to fly away from district ten, go someplace where she can forget how to be cruel. Away from the dirt and the stink, the smell of whiskey mixed with more whiskey rising over the dance floor. They're smiling and the band strikes up a cheery chord, but it’s all a mask. “Put your arms in the sky, move side to side”says the singer and the people dancing obey it, their happiness heavily regulated, this careless abandon forced and never quite free. “Lean in left, clap three times. Shake it out, head to toe.” They’re laughing when they mess up the steps, jerking on the dance floor in an ugly formation- it’s sort of pitiful and, as with the moth, Tallow can’t tell if she hates them because she thinks she’s better or because she’s jealous.
Scutcher and Tallow sit at a table, away from the dance floor, outside of the main lights underneath the tent in a dim murkiness. Her crown and sash are discarded on the table, Ms. District 10- what a joke. No one belongs here less than she does, a spiked drink cupped in hand. Tallow needs it; to take the edge off an afternoon of being paraded about, mortified pretty much nonstop and apparently now the face of spam. She’s been asked up to dance more than a few times because even people who never thought she was pretty before can’t get enough now there is a label slapped on her, and she’s declined every time, now slumped in her chair, wearing an expression that could curdle milk. Her brother, though, is drumming on the table, jerking to the music and seems actually happy to be here. Does she feel jealousy or pity? It’s probably the promise of a month’s supply of dried meat- which honestly couldn’t come at a better time, and maybe he can feel the joy in the air, in the stir of a fiddle better than she can. Arms folded, knocking back another drink, Tallow is finding it hard to see the joy in anything.
“I like this one,” he leans over the mumble to her as the band strikes up a familiar tune, one that everyone in the district knows. The caller doesn’t need to explain the steps- if you’d ever been to a wedding or a gathering of more than ten people and a bottle of home brewed gin then you knew them- and even a lot of the people sitting down get up onto their feet, husbands taking reluctant wives, mothers plucking infants from their strollers to hold them while they danced.“You wanna dance?”
“Fuck that,” she huffs, eyes narrowed as she watches them start, refolding her arms and shifting uncomfortably.
“Please, Tallow. It could be fun…” he turns as to her, laying a hand over hers- which she jerks away instantly. Not here. The crown and the sash on the table are like a beacon, or at least an imagined one for Tallow- they’re looking at her, but she can’t help but see the eyes as a threat. Like the next person glancing knows, like everyone knows. It’s gotten worse since Naif Malloc found them, now that she can imagine the same thing happening again just as easily, and the horrible fluttering panic in her chest is a memory rather than just a picture.
“Stomping around like an asshole while everyone watches. How is that fun? And you can’t dance for shit, Scutcher. You’ll just embarrass both of us.” She’s right, he can’t dance; moving ungainly, stiff and hunched, out of time with anything ever let alone the music. But that isn’t the point is it. It’s about being happy and Tallow can’t force that right now. She huffs and Scutcher huffs in a remarkably similar way, because though they are as opposite as can be they still come from the same place, the same people. Two halves of a whole, really- if she lost Scutcher they might as well take out Tallow’s lungs, she wouldn’t be able to breathe either way. But just because you love someone, more than anyone should be able to- to keep from getting so wrapped up, twisted up and almost ugly with the ferocity of it- it doesn’t mean you have to like them from one moment to the next.
He doesn’t care that it was almost all over for them, isn’t terrified all the fucking time that one day Naif Malloc is going to send the whole world crashing down on the both of them, of all the other ways they could be caught, of all the things she won't admit to herself. It must be nice, Tallow thinks, being so fucking stupid, having other people worry around you, there to tie up your shoe laces and explain everything and have to endure the following and the slow whine as you say their name, “Tallooow?” How does he do it? He can set her on fire when he breathes her name at sometimes, but set her teeth on edge with the way he says it during others.
“I just thought it would be nice, is all…other people dance….and…,” he trembles low, “other people don’t get embarrassed, wouldn’t get embarrassed of me neither. Not if they were nice.”
He doesn’t say any names, just mentions these abstract other people, but Tallow can see him glance over at that stupid nameplate that he managed to win at a ring toss. It’s an inanimate object but she hates it more than anything in her entire life, wants to drop kick it into the river and watch it sink under for good. Just when she thinks their getting past all this business with Noreen, he goes and gets something like that. Without even thinking about how it would make her feel.
“You’re such a fucking child. If you wanna dance so bad, take your fucking nameplate and go fucking dance.”
“I just wanted to dance with you.”
She’s eleven years old again, catching a moth and pulling off its wings. I want to punish him; because he’s weak, because to me he can fly. She feels worse now than when she did when it was just the moth writhing in agony at her feet, watching Scutcher slump deflated into his chair as he stares out at the dance floor, not bothering to drum on the table in time to the music anymore. He’s jealous of them too, Tallow guesses, taking their smiles at face value, thinking that maybe if they danced they might be happy just this once. But they’re the Tansy kids, that isn’t how it works for them- or at least, she always thought they weren’t allowed to be happy because the world wouldn’t let them. Truth is, it’s her. She’s the one making him sit lonely and sad in his chair, listening to the music around them.
Reaching over, she grasps at the cuff of his sleeve- rough, heavy flannel beneath her fingertips as she pulls him up. “Your things,” he says quickly, grabbing her sash and crown as well as that fucking nameplate as she drags him away. Not towards the dance floor though, skating around the edges of it, and out through the sides of the open canvas. Here, the music is still clear but the lights are dim, the grass on the field churned up and worn down by passing feet, the band setting up, workers dragging chairs to make the barn dance area. They can hear the chatter from inside but it’s just the two of them and the stars over head. “We goin' home already?”
“We’re dancing,” she said, forcing a grin. “You do still wanna dance, dontcha?”
After setting his nameplate down on the ground reverently, Scutcher nods, screws up his face as serious as a heart attack while Tallow stands awkwardly. The way he hunches, trying to remember the steps, makes Tallow laugh out loud-she can’t help herself. “Here,” takes his hand, “Left, slide, right, slide. Back together. Front together. Twirl. Jump. Clap. Left, slide .Got it?” He doesn’t, she doesn’t either but they give it the old district ten try anyway. After a few go’s of the same sequence, with varying results, they at least can to the slide parts.
She’s glad she relented in the end, but she’s also very glad no one is watching as they shuffle in their line of two, muddling through the steps, Scutcher now wearing her Ms. Panem crown and sash awkwardly splayed across his body making her giggle harder. And when the song reaches its end, Tallow is actually disappointed that it’s over, wouldn’t mind staying for another. It’s nice in their little nook, she thinks; between a hastily constructed, sheet metal stable where some of the animals had been kept during the fair and between the back of the stage and the dance tent.
A single guitar begins first, in a slower, lilting tone almost like a lullaby as the band picks up a slow dance. Stepping into her brother, they fit together easily. Tallow grins a little, bringing one hand up to thread through the curls on the back of his neck, his own drifting to her sides as they sway to the sounds of a woman with a deep voice singing in little more than a muffle from where they are dancing. The crown has slipped a little on Scutcher’s head and Tallow takes it off, letting it fall from her fingers to the dried mud, more like dust being kicked up than anything now. Scutcher looks down at it, about to stoop to pick it up, but Tallow holds him close and shakes her head.
“It’s dumb.”
“You won it, though.” Elias’ idea of a joke, to get her face on spam and make her sit on a meat stand, Tallow doesn’t doubt. It doesn’t mean anything- Tallow Tansy is pride of nothing, let alone of the district. “Knew you would. You were the best in there.”
“Shut up,” she mumbles, but she’s smiling. “But I should’ve gone to your show…. I’m real sorry I didn’t. Did you win anythin’?”
Face falling into a frown, he doesn’t have to say anything, Tallow can already tell. Makes her feel worse about her own crown and sash. He wanted a dumb ribbon for his pig more than Tallow wanted a dumb crown and sash, had worked harder and definitely deserved it more too.“Aint got any good pigs left this year. Won’t meet quotas…won’t have nearly enough of anythin’ come winter, I just know it.”
“Good thing we got all that meat from the contest then,” Tallow cups his face in hand, “we’ll get by. You know I didn't mean to call you a fucking child. I trust you. You always find a way.” The sash is pulled across his chest, so that all Tallow can see is PRIDE in the embossed lettering- but it still fits him better. So she can sew, put on makeup and sabotage other contestants, that isn’t district ten. That’s wanting to be anything other than ten, wanting to do anything other than own up to being a part of this place. Scutcher is here, all calloused fingers, earthy smells and necessary coarseness- prepared to work and work hard every day of his life without ever daring to dream he could deserve better, because that’s just the way things are, that’s the way things have to be done. But he’s soft too, and warm, and when her hand moves down his front, she can feel his heart beneath her palm. It’s too exposed, too open to the hurt and Tallow wants to keep her hand in front of it, clasped protectively around his chest for forever.
“I…Tallow…I’m worried that-” She stops whatever fretting he’s doing over the pigs and the farm, their finances or their father with her lips, ever so briefly. Her eyes dart around the nook, breath held as she tries to see if anyone is looking. But they are okay, the band is still playing, the tent is quieter and she can hear the cicadas crying out into the descending night as she pulls her arms tighter around him, exhaling heavily.
“I know,” Tallow stands on tip toes, presses their temples together. “But we’ll be okay. We aint got no other choice. You and me against the world, remember?” she lies softly. They stop pretending to dance, just stay locked in an embrace as Tallow tips her head towards the sky. The ground below in district 10 is fucked, full to the brim with pig shit and cruelty, the sounds of animals dying in abattoirs, shrieking as blood slaps onto the tiling, drunk men crying into their whiskey, clenching their fists and looking to make something hurt- but she’s never minded the sky. They can’t put a fence through those stars and Tallow has to wonder if it’s the same through the whole of Panem. But she doesn’t think it can possibly be, something in the inky blue tapestry, filled with glinting lights like shards of glass, Pole Star, The Dog Star, Pleiades and Arcturus that feels all theirs; a private, secret beauty, infinitely vast but strangely small when viewed from so far away. And don’t they deserve it? Scutcher keeps her close, holds on gently, delicately like an injured moth cupped inside of his palm, and Tallow has her view of the sky. It is, if she ever gets to choose, the best of times to die.