{strangeness and charm .:. indigo&ivy
Dec 15, 2012 2:38:04 GMT -5
Post by florentine, d4b ❁ on Dec 15, 2012 2:38:04 GMT -5
[/font]ivy soren.
Do you ever think about not comin' back
Hoppin' on a train and we'll burn up the tracks
We'll jump off somewhere that we don't know how to say
Maybe hitch a ride from someone who can tell us the way [/center]
It's days like these when I want to turn on my heel and flee. There's nothing here for me, nothing left. The forests stretch out ahead of me, closed off to the public and yet not sealed tightly enough to keep me from breaking in. I am a criminal, like my father. The difference that separates us, however, is clear. He was overrun by his desire to stay - to hold tight and let nobody escape, make sure nothing changed or grew or got out of the tight routine he painted. I, on the other hand, yearn to be let go. It feels as though I am struggling to stay still. The fence beckons to be climbed. The forests beyond call for me to treck through them endlessly, not stopping to breathe or eat or look back over my shoulder. I can't.
The television tells me there is nothing out there. Here, I am safe from the dangers of the outside world. The walls of the district hold me close for my own protection. I would believe President Snow's words, perhaps, if I had not heard them all before. If a place is so terrible, why do we need electric fences and guards to hold us back? Surely our curiosity would subside once we realised the horrors for ourselves? I would consider it, if my father hadn't used the very same excuses to keep us hidden for so long. They are the lies of a cruel man, and my mind wont let go.
Indigo says she's happy here. Apparently the things she can see but never touch do not bother her. Nightmares do not wake her up in the middle of the night, she does not scream that the walls are closing in around her and the doors are locking and she will never be free, and for this I am thankful. Only I cannot bare to sleep with the window shut for fear of never seeing the stars again. A good sister would stay close and not dream of leaving her family behind; a true twin would never consider climbing out of that window in the dead of the night in search of better. I am not good.
I spend my days trying to create my idea of better. The paint falls across the canvass and the stitches come together in plumes of colour you simply cannot find in the confines of District Nine. I do love it here. The endless maze of factories never truly runs out of surprises, billows of smoke sketching pictures in the sky. It is more that I simply cannot shake the fear that I will die in the very same position I was born in - trapped, alone, and completely unaware of the wonders I am missing. Indigo disagrees. She says I should smile more, and I know that I should. For a girl who has 'been through a lot' and 'deserves to be happy', I'm awfully sullen.
So I listen to my mind and I clamber into the branches and I wait until the buzz of electricity grows quiet. I do not jump. I think of my sister sitting alone, the braid tied in her hair that I wove this morning, perhaps sitting a cup of sugar tea or consoling our mother. She deserves more, not I. This it what makes me stop and climb right back down again, slowly and steadily until my feet hit solid ground. The book tucked under my arm is left unread. It doesn't matter. I can just about feel the story through my fingertips - about a girl who thinks she's happy, and then struggles with something or another. She'll overcome whatever it is and go on to live a much more fulfilling life. It'll be okay; a happy ending.
Real life is filled with happy endings. A happy girl, safe on reaping day. Stolen, captured, taken from her life. Beaten, abused and almost starved to death by the stranger that fathered her baby twins. They grew up not knowing what the sky looked like.[/i] Tragedy, of course. And then the ending - the valiant little girl manages to run away with the key to the shed and alert the Peacekeepers of their presence. What the story doesn't mention is the way the girl paused after she got free, afraid. She considered not turning back, not ever, ever going back to the place she had grown up. She wanted to run so far from her father that she could no longer see his face in her mind. She considered abandoning the only people who ever loved her.
The story also forgets to mention that even when they are free - working, living in a house, smiling - one of them isn't happy. She is selfish, and so much more than she ever had is not enough. She's still that afraid little girl who is almost too terrified to go home. I go home anyway, pausing on the doorstep. It's easy to reach out and let myself in, but I am afraid of what I might find. What if my mother has finally given in to the sadness that lurks behind her eyes and fills her soul? What if she is lying on the ground, lifeless, with my sister beside her? Then it will be my fault for leaving them. My fault for coming back.
I walk inside anyway. Perhaps I am brave; perhaps simply foolish. It smells just the same as it did when I left at half six this morning. I dump the bag of groceries and the book on the table and frown. It's quiet inside. There is no hum of voices or whistle of the ever-boiling kettle or even of the gentle snores of my mother when she decides that she is too weak to stay awake throughout the day. I feel alone, which is a feeling I cherish. I never did get many chances to be by myself in the draughty warehouse, surrounded by the two people I can truly never escape from.
"Indigo! I'm here," I call out into the silent house. "I came home." Because I did, I have. Because no matter what, I will always be there, I will always come home. I hate it.
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