Mirabelle Aida Himura of District 1 [Fin]
Oct 9, 2010 18:36:48 GMT -5
Post by Prince Inigo on Oct 9, 2010 18:36:48 GMT -5
Mirabelle Aida Himura.]
"In a mad world, only the mad are sane"
"In a mad world, only the mad are sane"
Colors
-- a9b394; main text
-- 8d9992; speech text
-- cdd396; thoughts; other speech?
"I Love Little Pussy"
I love little pussy,
Her coat is so warm,
I love little pussy,
Her coat is so warm,
Birth record states her name is
Mirabelle Aida Himura
On her school papers, she puts down her name as
Mira, Mirah, or Jack
Official documentation suggests she is
19 years old, as she was born on: November 5th, Year of the 36th Hunger Games
Ask her gender? She will give you
♀; 女;or this
They all say she is female
Of gems and jewels, her image resembles
District 1 brilliance
Mirabelle Aida Himura
On her school papers, she puts down her name as
Mira, Mirah, or Jack
Official documentation suggests she is
19 years old, as she was born on: November 5th, Year of the 36th Hunger Games
Ask her gender? She will give you
♀; 女;
They all say she is female
Of gems and jewels, her image resembles
District 1 brilliance
And if I don't hurt her,
She'll do me no harm.
She'll do me no harm.
<(In Your Eyes)>
“Art expresses man”
“Art expresses man”
Striking out most for Mirabelle is her very distinct background; she is fully of Japanese descent, from head to toe. Ever since her ancestors came onto former American soil, they have been rather selective of people; and, as the natural disasters wore and tore the nation, her people were especially cluttered together to keep the 'clean' Japanese blood pure. Mirabelle sticks out from most District 1 denizens due to looks and even, sometimes, the mention of the surname. While one would think that keeping the Asian line would also consider sticking children with matching titles, they also considered leaving behind petty traditions with names; and, so, Mirabelle has gotten strange looks when her application and papers state only her first name and their eyes set on an Asian girl; a rather mature-looking Asian woman to boot.
Going against past stereotypes of Asian culture, Mirabelle looks particularly older. This is further established when comparing her and, say, her elder cousin by five years. Her image of herself is cemented by comments she has received in the past concerning her slender face, expressing that she appeared to the be the head of her family females not the matriarchal figures. Less fat has presented to let the nineteen-year old act as some leader in group situations. Members of her family whisper under their breaths how such a child could be born from such youthful-looking parents and grandparents; they would toss up the possibility from some ancient kin with similar maturity. When paired with her mother, Mirabelle would sometimes get confused as Raine's older sister.
To get the point across, Mirabelle's face is extremely narrow in contrast to Raine's. Some cellulite is in the cheeks, but they are minor and hardly considered by her extended kin. Practices dabbling in baby-making unfortunately leave Mira vulnerable to breakouts when hormones go rampant, despite her extra cleansing techniques in skin and pore treatment. Scrubbing hard does nothing but turn the flesh red and tender. Her practices have gone to the extreme of Mira attempting to avoid touching her face except the occasional itch or removing of hair strands; otherwise, she tries to steer clear, like it is a phobia to do so. In-hand of the 'flawless' quality, Mira does not have scars or marks in existence for the face or head. Overall tone of the skin is described as a tanned peach or apricot, thanks to the Japanese gene inheritance.
Her sharp but rounded chin is properly fitting, and she would not replace the feature for anything else. Oddly, other than the eyes in the sockets, she likes her chin most when it comes to structures of the face. Favoritism is the former-girl's excuse to wash this hardly-noticed section more, keeping the pores unclogged. It tilts slightly upwards, which - in in downward light - causes a small shadow to form under the bottom lip. Mira's prized possession, she would not like the one to scratch or bruise her chin; and, if such an event were to occur, the mind will concoct ways to severely torture the person in all possible methods before ending their life. This is not to be taken easily, she thinks. Shaving off barely visible hair follicles leaves the human facial hill naked and polished.
Full lips are graced to Mirabelle. Trained to kiss well, they present a wide - and opposing - array of emotions, stretching from delirious romantic happiness to suppressed cruel clenches. She expresses on the outside a good girl that control over matters; but, when she is by herself, the inside is tight and seemingly always angry with the world and its citizens. Mira especially smiles best in front of children and small kids, to top off the offers of candy and delectable sweets. Dyed a mesh of natural burnt sienna and cardinal reds, her mouth is not exactly that prominent from the rest of the organs. No part is chapped, scarred, or strangely colored - in terms of there are no patches of new flesh - for these lips. Applying beauty products will imbue the machines of 'love' with luscious hue and underlying intention; usually glosses and lipsticks of a darker, vibrant red color, Mira hopes to capture the essence of romanticism when painting on such lavish shades and shines.
Due to corrective gear and surgeries, Mirabelle has nearly-perfect whites in her mouth. Heads of the nuclear family presented her the opportunity for marvels as a child, implanting braces and molar removals to achieve that perfect smile only off by the curvature of the lips. Of course, they are still susceptible to yellowing, staining, cavities, and the works if brushing with proper methods and tools were removed out of the daily life, yet she would never let dental health deteriorate. In certain occasions, Mira will brush her pearly whites up to four times throughout the twenty-four hours, depending on meal time and the conditions of those 'certain occasions'. Gums a healthy pink, chompers mostly bright, the Asian-American girl will not scrub too hard to make anything tender or bad-looking.
Button nose, minute nostrils, whichever wanting to call them, Mirabelle did not inherit a hawk or hook nose. (Like it existed in their family, anyways). Overall, the structure made of flesh, nerves, and cartilage is small and short. This is prone to blackheads and the occasional whitehead, but breakouts for those are a rarity - reserved for other facial areas. Without nose support devices, glasses would fall of her bridge, if she were to wear any; and, she cannot even keep a finger at the start of the structure without having to close her orbs or brush the eyeballs. Again, there are no deformities. Her nostrils are a bit narrow and tiny much like the rest of the nose; skin is smooth and pearly as can be, in terms of human surfaces. Odors and smells are picked up sensitively; when Mirabelle puts forth all concentration on detecting distant scents, she is able to do so, but not as often as her ears perking to delightful, fresh screams and bloodcurdling cries of anguish and pure torture.
Repeating once more to cement the concept, the ears are always out to receive waves of pain and misery in audible noises and words. Mirabelle is a hearing hunting dog - or perhaps a ravenous wolf, as she likes to imagine herself. Being that the ears are taller than wider or rounder further accentuates the feral canine appearance - and mentality. They are on full alert twenty-four-over-seven, a built-in radar to potential victims and prey. Both ears have a single petite hoop accessory of genuine silver - metallic or basic gray a favorite color of hers. Mira has other ear piercings, but she is often found with these clipped in; she may switch between earrings of trinket wings or actual feathers and ear cuffs - all having to do with silver. As they are looking to tuck in backwards and hide away in strands of hair, only in certain angles exposes the organs of hearing and the man-made decorations that gleam little in the sunlight. Short lobes - almost to the extent that they do not exist - give them a pointed expression. Long hair does not allow the ears to tan or absorb large amounts of light, thus the organs are lighter than the general skin tone. Other than the negligible holes made for the earrings, no blemishes or markings manifest. If eyes were to fall to the back of the ears to identify dirt, they would find little or hardly any particles; Mira keeps her hygiene intact even behind the hearing stations.
Cheeks could hardly be called be plump, if the definition of 'plump' for one is 'not anorexic skinny'. One of the locations of the face that are more prone to acne and the works, the filth and sweat seems to collect most in the two fleshy areas; but, even with such discouragement to those of weaker self-confidence, Mira does not give in to the petty problem and continues to exfoliate the pores to the best of her ability. Skin is soft and warm to the touch; and, though they do not hold as much cellulite as others of her racial background, one can still pinch a good amount in their hands. Near the nose exists semi deep crevices that disappear as they close in towards the mouth and lips; if she is facing forward, they are not noticeable and seem to blend in with the rest of the face. Darker shade of the peach color mentioned before rests at the center of the cheeks in a natural fashion, presenting itself to the hue of Persian orange. Any blush gently put on will most likely be that of a kiss of crimson or a dash of ruby, just to perk up life or the night rowdiness.
Moving onto the irises and pupils in the sockets, Mira's eyes are almost pitch black. They are actually of brown coloring; but, in the angled light or from a distance, the appearance of blackness or an abyss manifests in the orbs. Sometimes, the pupil itself seems to vanish behind the void her irises create in attempt of an illusion. Perhaps it is best to say the pigmentation for them is something like auburn swirled in beautiful darkness. No pretentious red streams show in the white areas, except if a person were to look real close; the only real times they present themselves is in moments of pure tiredness or immense stress - the latter hardly a worry, if any. To find the shine would require to be up close, for Mira does not particularly like to be in the direction of the sun. Even behind slanting eyelids, enough shows for the world to perceive and record her existence in the desolate but future country. At the times where Mirabelle is most excited and on the verge of crying enthusiastically, the colored circles appear to grow as she squints a small bit in the obsessively gleeful moment. Combined together with a signature wide smile is a dangerous combination.
Fine eyelashes were inherited by Mirabelle, injecting plenty assumptions of 'small' back into her character. Such thin, black strands are also short, if not lengthened by mascara. Everyday there is a period spent to curl and straighten the small follicles for the sake of impression. They flutter more like bug wings than feathers of a bird, quick and - with little 'wing span' - only enough to moisturize the glassy orbs. Mira will slow down the beating in the utmost romantic occasion - or give a flirting blink, either or. Little care is showcased if one eyelash falls off - as it is a natural occurrence; she will just have to fix up in front of a mirror later, as a precaution to look best. Otherwise, the loss is negligible.
One operation altered the eyelids to a look the family thought the rest of Panem would prefer. Besides, her family - they justified - had undergone the surgery and shared the same mentality for double-lidded eyelids. Mirabelle and her clan - almost all - were born with a single eyelid, and the family members coerced - under much subtle persuasion - for young Mira to also partake the cosmetic effect instilled in Asian blepharoplasty. (At that moment, not like Mira actually cared as long as it got the members to silence their tongues). Event aside, the existence of blemishes, wrinkles (outside of those forming now due to increasing age), and marks leave no tracks on the flaps. Colors picked for eye makeup are softer browns, if she chooses to do so; more likely will the Asian woman to draw eyeliner than swab a brush above the eye.
Plucking any thickness that naturally goes there, her brows have lost some of the coarseness due to tweezers and - once in a while - the wax and paper. They are not busy in any way and are formed into trapezoids softened at the corners. Much like the eyelashes, Mira occasionally tends to them to make certain there is uniformity and kindness to even the tiniest of details. With years of experience, the Asian girl will never mess up on how to pull out hair follicles - and if anyone dared to touch here in such horrible intention, she might resort to offensive maneuvers to get rid of the possible threat. Her eyebrows match the color of the hair on the top of her head, not one shade off.
Second and last place for the bacteria army in the pores, the forehead has tendencies to gain a pimple or two in spots, once in a while to the size of a dot that could be made by a pencil. Natural skin coloring might be off due to application of cover up, but underneath the powder and liquid will exist the hue Mother Nature intended for her. Setting off the frequent breakouts, her forehead is generally not rough, preferring to rub some lotion up there. In no fashion is the head structure large or protruding. (At least in a sense hopefully not enough for people to notice; if they do, oh well). Scars and other skin marks will not be present at this site.
Akin to the eyes, the hair strands on Mira's head are a dark brown - auburn, perhaps, again - which, under certain lights and darkness, will drop to a licorice black. Naturally, she has organic red highlights - once more - depending on the shine of the room or the outside; these highlights, however, are not a vibrant color like an apple but more on the crimson side. Tussle through the strands, one will find that each strand is soft - almost feathery - and extremely thin like needle thread. Light striking causes the spots to become plain brown. With the assortments of shampoo and conditioner washed through, any comments about these characteristics are expected by Mirabelle; and, if anyone were to deviate, she could glare or pass them off. On that matter, of course there would be no grease to detract the vibrancy; she also rinses well enough to not leave dandruff or lice to live on her scalp.
First off to say about Mirabelle's hair uniformity or style is that there is no widow's peak or bald spots - just to state off the bat. Traits dictated that the strands will be perfectly straight; but, Mira likes to curl the ends with an iron during parties and extravagant special times. Parting hair is slightly off when trying to be in the middle, edging to the left side of her head. Mira tends to put the majority in the front, leaving some to sway in the back or find themselves on the shoulders. Length goes to the chest area or down the middle of the back; this has hardly changed from the time she was little. Having hair reaching down to the butt - she finds - is uncomfortable and having not enough weight on the head - from short strands - has its own awkwardness, Mira thinks. Her hair does not seem to clump together in groups, instead, if grabbed, the follicles would break off into their own individual pieces. She never rubs gel in, for the Asian does not find need in having another style besides the natural way or endowing the ends with a gentle curve.
Gripping the neck would not be hard, due to the size being quite diminutive in length or width. Rarely do pimples tread on this section of the human land; Mirabelle does a good scrubbing that washes away the grim and athlete perspiration. After the chin, Mira does not have much care instilled for the other body parts for touching, so she 'allows' herself to scratch the neck when it calls for an itch. One might find that along the center and around is a faint lighter line where the skin should continue to be the tanned peach color; they might only find it depending if she actually takes off the accessory. She heavily adores and adorns the neck with a metallic collar band composed of the colors black, silver, and red. Redness shows up in built-in lights that blink upon the touch of a button in a plastic screen; otherwise, the entire band is black with silver plating. In actuality, the 'necklace' is a dog collar that she bought because it looked 'cool'.
Since Mira is a gymnast, her limbs and connectors (like shoulders) are sufficiently strong. Used to twists and turns, they are flexible enough to give more leeway to the arms and the moving radius. Much conditioning prevented major injuries to the scapulae and retain total rotation possibilities. Marks or acne will not be on the shoulders. With lotion application and less sunlight absorption, the blades will be a normal peach color - or lighter when a shine comes on. During her training, Mirabelle frequently straps on a guard to prevent soreness and support the joint, in total.
Muscular - not in the sense of exposing actual brawn - can describe the arms. Strength, though, is skinny; they are used to lifting Mira's own weight as she swings around uneven parallel bars or obtains equilibrium on balance beams without much sweat. As already stated from the shoulders, the limbs are flexible and can rotate and bend in various abnormal positions - unless enduring through the same training. Perhaps a bit unusual, Mirabelle removes follicles along the arms, gaining the naked look for appeal. Hairs are small, but, nonetheless, Mira shaves or waxes them off. Because the upper limbs are exposed in the open - during gymnastic training - they are only a shade or two lighter than the general color - a carrot orange, maybe. Underside of the arms are expected to be a peach-orange or orange peel.
Bony hands hold the gymnast power. Without the assistance of the hands, the arms would not be able to implement the feats of body balance, so they also have their own reservoirs of spirit. Perfection goes across the hands: No scars, blemishes, any of the sort. One problem is with her left hand, for now it always looks off or damaged though the appendage works fine. Result of an athletic accident which smashed and shattered bones within, only the best of technology of the highest District doctors could mend the hand to a state where the function was restored but not the cosmetic or beauty. Upon inspection, even at rest, the fingers are oddly positioned, and the hand itself contorts to a strange direction, tilting to the left of its natural accord. Pigmentation of the hands is the same as the arms: Tanned peach on top, softer carrot orange on the underside. Friction of bars and other gymnastic equipment alike has formed calluses on the hands; though they are not considered ‘pretty’ to Mirabelle, she will attempt to cover the proof of athletic endurance with moisturizers and hand guards – only when she actually feels like wearing guards. She does not particularly like or dislike to slip on hand equipment, so most times will be the lotion and skin smoothening application. (Gloves are not that ideal in gymnastic training, anyways; Mira has not tried chalk dust, for she heard that the particles cause even more friction and may form blisters instead).
Fingers, long and just as skinless. When Mirabelle stretches out the digits, they curve out a little at the ends, almost like a wave. Nothing on the colors has changed, and neither are the existence of scars or skin discrepancies. Mira continually shaves off any hairs on the fingers; even the tiniest matter to the nineteen-year old. Only the left hand’s fingers are off in terms of position – due to the accident. Her left index shapes to an awful hook, the pinky is further spaced, and the middle must be extended to ensure less awkward looks; if not stretched out, the longest digit will naturally connect the nail to the surface of whatever it rests on. These resting places are the best Mirabelle can do without experiencing stares – as often – or little bouts of pain. Silver rings of light weight and intricate design, sometimes worn; she has to feel like slipping on finger bands rather than it being a compulsive need as she knows some higher girls seem to possess.
Balms prevent the cuticles to dry or transform into jagged structures. Should any skin near the nail want to become loose and ugly, Mira always carries around a pair of cuticle cutters to snip them off – with disdain. With her tending, the dead cell layer on top of the hardened structures stay near the base of formation, not spreading to the center or going a centimeter away. Filing and weekly cutting make the nails uniform, round, and touched with articulate eyes and care. There are no chips or signs of wear and tear; also, the nails are healthy underneath, a shade of wondrous pink. Mirabelle bans from dirt and grime to line and stick to the whites of the nails; she usually will chop them to a considerable length, enough to peel anything that needs to be peeled but short to become talons or claws. Rare is it for the nails to be painted.
Though the back can bend and reflex to amazing directions and curves, Mira has made sure to keep a straight spine while sitting. She may slouch at times, but the moments are brief and private. Conditioning has forged a powerful backside, where a lot of weight originates from. Shoulder blades protrude from less fat intake. One can follow the small trail of the back with instilled curiosity and glee, gently stroking the section. During training is when the back is to the open, to show to the public in shows. Lighter shades of peach are found here – with not much show time to let sunshine in – but, in exchange for the tanning, pimples are a blue moon. While there are no monsters called scars, there does exist a tiny mole at the bottom, nearing the gluteus maximus, on the right side. Beauty mark, more like, for the blemish is not a jutting structure or has a sprout of hair popping out.
True to the Asian genetic tree, the chest is rather miniscule; however, putting Mira next to her mother, the comparison is great; she has the bigger rack. Her gymnastic uniform covers from the top of the collarbone to the area between the legs, so there is to be expected more saturated hues of orange – lighter peach, again. Below the breasts is a healthy stomach, durable and able to take on many feats. Unfortunately, no such conditioning has yet to bear Mirabelle any pack, and she does not intend to receive any. She is grateful and content with just the flatness of the abdomen. Not much flab will be found; not enough to pinch, at least. Hairs removed – the normal routine – and an inwards belly button, Mirabelle has for the pectoral area. During pregnancy, the fat will increase to about twenty or thirty pounds; then, after the baby is born, Mira tries to reduce back to the normal poundage again – even as the hormones are on the rage and extremely not in equilibrium. These areas – under normal conditions – are ultimately curvy.
Thighs are much like a horse: Big, powerful, and ready to kick around to the stars. They are thick and extremely muscular and flexible. On the vaults, the thighs are ready to swing and direct Mira’s body to various forms and directions to ensure to land perfectly on the feet. Thickness is about the amount fitting for the Asian girl. Shaving around the between area of legs and on the thighs are common; there is a line of a lighter tan at the top, due to Mira’s leg clothing preferences. Her hips are wide, curvaceous, and ready for touching. Stroking the thighs will get a smile out of Mira. No scars or markings are located on the thighs. From the thighs down, the skin is really smooth from continual daily reapplication of lotions and skin moisturizers. On the surface, the skin is the tanned peach shade; on the bottom half, it is the saturated carrot orange. Wrinkles along the patella are the normal sort, existing since birth.
Calves are tight and better to bend to a multitude of rotations. Such smooth legs shine brilliantly in the light – the same color rules applying. With no blemishes or possible acne, Mira’s lower extremities of legs are also hairless – more waxed than shaved in these regions. If they were not removed, they would be little black stubs much like her usual hair. Sometimes, the legs will be scented a nice aroma; only those she has contact with would know the reason behind the fragrant lotions and sprays. Trying to grab cellulite from the legs would be fruitless, unless one were to attempt to snatch pure muscle with little fat.
Calluses and toughened hide have formed over the years on the bottoms of the feet. Much flooring experience knows the dances - macabre - and forms judges value and die for, and they had to harden for the ever dangerous vaulting. From the balance beams, Mira knows how to keep herself upright should the ground be narrow. (But she is nowhere near perfect of balance compared to a ballerina dancer). Her feet take the coloring of all the parts that are under fabric more than on the outside. These bony parts curve and are a powerful enigma. To polish up - a tad - the underside of foot, she is recognized to use a pumice stone and rub gently in a circle to scrape off excess skin cells.
There is nothing out of place for the toes. Her little stumps of digits has the big toe being taller than the rest, the others going smaller in sequential order - from big to small digits. Not including the biggest, all toes curve slightly when relaxed. There are no scars or hair strands to see; she makes certain that no one would be able to detect a follicle without the aid of a microscope. Even her digits are soft to feel and present no roughness - outside of the calluses. Pinky and large toes direct inwards to the three middle ones.
Rounded toenails shine proudly in the glow of day. They have much care tended to them as much as the fingernails, even though they are not as exposed as often. Cuticle cutters are implemented here just as well at times where overlapping or falling off skin disobey the wishes of the Asian woman. Throughout the years, Mira has - so far - been succeeding the war against foot fungus, riding any chance for the disgusting growth to emerge from the cracks. Again, nail polish is an infrequent phenomenon; if she does plan to, the colors and hues have to be something of subtle distinction - not clear but close to that concept.
Not mentioning the top accessories or stated gymnast equipment for the second time, let us start from the first layer and work the way up - corresponding to seasons of no drastically cold weather. (Which will be mentioned later). Mira's choice of underwear can be considered high-class, fancy, slutty, whatever the masses and their opinions are. She actually has a wide variety of bras and panties - to suite the tastes of her 'partners'. In most cases, however, the wear are of lace or silk fabric, composed of the finest materials and produced by the greater hands. Any dye will do; all it matters is that it excites the man in the bed. On the question of type of underwear, the panties have to be semi bikini or less; no grandma panties will do here. As for bras and protection, anything 'sexy' and supporting will do. Comfortableness is second to appeal.
Nightwear contains only a simple gown of fine material. Straps that brush over the shoulders are a swipe away from full exposure of the body. Stretching down to the knees and flowing to the drifting winds, Mirabelle will usually entice her 'contacts' with the gown, asking to be gentle of its gray-dyed threads as they play with it. Underneath, there is nothing; not even a chest supporting device. Usually, she will cover the feet in cozy socks to ward off the heat; however, in those times where she is feeling a bit obsessive, she allows the counterpart to 'unwrap their present' ever so slowly. Overall, what she wears at night is simplistic in nature.
Upper portion of daytime clothes depend on the mood of the Asian woman. Mira's normal attire is commonly a white dress shirt; the characteristics of the shirt consist of a short collar, button-less cuffs (simply white), and nothing decorative. She will button - which are clear or pearly - the main shirt to the second to last one, keeping a flap open to sneak a peek within. Wrinkles are always ironed out by a matriarchal figure - or even Mira herself. If the shirt gets dirty, it is no detrimental matter. (Unless severely stained; then it is trashed). After Mira outgrows (or is too skinny) for her clothes, they go straight to charity by the demands of the family heads.
Often accompanied is a tie around the neck, nice against the skin. Colors of red, gray, or yellow - though the latter looks completely horrid - couple with the plain dress shirt, but she sometimes plays with other shades and hues if she is really feeling the change. Patterns are limited - sometimes non-existent. It flows down and stops at the start of the abdomen, unhinged not at all by her small cleavage. Mira loves her ties to a sentimental degree, never allowing to rest them on foreign surfaces unless extremely desperate. (Though she would not know when she would be desperate to do so, considering these ties do not hold much weight to bear).
Those leg garments that want to slip off - without Mira's help - are worn with a belt. Most - if not all - of them are a brand of leather or durable fabric, polished and straight enough to be like a whip; in the past, Mirabelle used to own beer belly belts in the closet, but they are now limited thanks to charities and donations; if they do still exist in her life, one is probably under an assortment of trinkets and boxes. Plain, patternless browns, blacks, and grays make up the collection, discriminated on the racks to be grouped with their shade and color peers. Belts - in general - are a small in number and not having much care placed upon coveting them, as it is uncommon for Mirabelle to give up such short waist bands - considering she bears a tiny waist in comparison to the Panem average. Cracked leather - from years of wearing - are discarded or donated, whichever institution is at a higher demand for damaged products.
For the bottom half, Mira basically wears short shorts or skirts that cease halfway down the thighs. Drafts of wind hardly tug on the skirt fabric to flow to the breezes, stiff cotton ignorant to the air calls. Dyed on the threads - for a good combination against the white dress shirt - is a dull green, a grassy color losing luster and vibrancy alike to asparagus or a camouflage pigmentation. Other colors exist, spreading out to most skirt possible shades and hues, but Mira finds the green one to spruce up her image pretty. For the short shorts, these are plain denim blue. Any blue will do, but they must be that primary. Though both choices are rough on the skin, Mira has found that wearing anything softer than cotton or denim material to be rather uncomfortable - for daily wear, of course. Which she will choose - between skirt and shorts - depends on the situation she plans for the day: No games, skirt; games, shorts. Evidence as to the reason to wear shorts for games - rather than it is easier to run or sprint in them - may be in her demand to have decently big pockets in the front or back - preferably front and back. Adding onto her unspoken criteria is that either of these have to be tight-fitting; any loose garments are to be supported by a belt and wrapped around as close to a humongous bear hug. Preventing any to slip down the hips is number one - good for when she wants to play with the children.
Wrapped around the feet as a first layer, the socks have to be either comfy or best to ward the toes from bitter cold. All dependent on the shoes she is wearing, Mira has two types of socks, Pantyhose and athletic brands, that she wears most times. Pantyhose goes with fancy shoes, and athletic socks go hand-in-hand with sports shoes - rightfully so. Mirabelle has many lengths of pantyhose - only to the ankle, to the waist, up to the knees, etc. - to go with dresses, dress pants, and other party or special occasion type clothing. White can only be the athletic socks, much like her dress shirt. Mira does not particularly care on athletic sock style - stripes, plain, whatnot - she only has attention for its comfortableness and ability to deflect the chill of the environment. These kind also can go up to a good chunk of leg. (Not halfway, but certainly past the ankle). Leniency is guaranteed for anything shorter than the length condition, but past the limit is undesirable. Loose socks - the third she actually has - are only worn when she really feels like slipping them on, perhaps also as a fashion sense.
Pairs of shoes consist anything stylish - in her eyes - that do not include laces, a tight emphasis on a fitting and supportive footwear. Venetian, Mary Janes, and athletic shoes - with any lace removed or tucked in - are the best bets to be worn by Mira. Same reason why Mira has to have tighter shoes or omit strings and knots has to do with the pockets for her shorts. Any that are in good enough condition are donated to charity; damaged ones are discarded, and the process of sorting out can take a bit of time from the selection she has. What the Asian woman chooses for her normal footwear between black, brown, and - surprisingly - white. From time to time, Mira will polish her Venetians or Mary Janes should they need some brilliance.
Fancy wear is especially considered by the Himura family. With the line of thinking Mirabelle should be dressed up pretty to bring home more recognition, they might spend many a dollar to such lavish. Mirabelle's tastes do not lick the gowns or masticate frilly dresses splendidly; instead, where her eyes lie on are chemise and cocktail dresses - informal clothing, more or less. While she prefers grays - surprisingly - and less distinct coloring, the family heads adore the elegance purples, blues, and other rich shades accentuate the Himura woman and her presence. Although they are not her favorite, Mirabelle, for the night or occasion, deals with them for the time being, repeatedly thinking that she is saved by her silver accessories. (She can never clasp on her neck collar band, however. Her family forbids such a notion to come into her head for parties and social events). Down to the knees the dresses go, printed flora, leaves, and wood ingrained on the fabric, etched in beautiful arrays of color - to the family eyes. Going for a tight look, there is much emphasis on closure and 'second-skin' dynamics. Only straps or no straps are allowed for Mirabelle, exposing the arms fully and some of her back. No matter what, the chest will be covered; cleavage prominence is out of the question.
Winter gear snuggles Mirabelle in hugs of warmth and comfort, a swirl of individual joy brought forth by satiated need. Commonly, the Asian woman of nineteen years wraps the ears in black fabric or ear muffs, fuzzy, toasty, defend against the descending white flake menace and their chilly presences. When the snow falls in horrendous amounts to endure, the hooded coat is raised to the head, attempting not to mess up a single strand of hair or give birth to knots during the struggle. Rimmed with cream faux fur of excellent softness, the beige winter coat - having the same material within - is all Mirabelle needs to maintain sufficient heat. She can be seen often embracing herself with mitten-covered hands, the multitude of buckles and buttons clicking when they strike each other. Fingers within hot pink gloves move as nimbly as they can. Her silver accessories are reserved to the ears, because metal provides a biting frost against the skin. Even against the cold season, Mirabelle demands that any winter coat consist of big pockets - better if sewn with warming material inside. At the times not hugging lonely, she will ball up the fists and push them in the pockets. Wool - any color - shirt keep the main body covered like in covers, hidden away by the coat so she will not have to expose any clashing shades.
Trailing a bit past the base of the hips the end of the coat is, the start of the winter-guarding bottom half underneath. Dark colors - between gray and black - trickle to the feet, the wool pants protecting the slender legs. Only tight at the hips - by an elastic band - and sneaking out of a clandestine environment - the monstrous coat's reign - the pants are pretty loose, creating many flaps after Mira's behind. They are about the only type of clothing she will allow to be free and hanging, despite her yearly demands of pockets - which they do have. If she has to warm the thighs, sometimes Mirabelle will shove hands into the pants pockets, rubbing over multiple times. She is, again, not one for much creativity or patterns, considering the pants come in one color to be used throughout. Valenki shoes that will cooperate or compliment the rest of the winter outfit are a must. Though not historically her own culture, Mirabelle has compromised with herself that wearing Valenki are exceptionally toasty to her toes, which ideal than slipping on her other seasonal footwear.
Purses do not exist for Mirabelle; instead, she likes the satchel design. Bulking, practical, swung to the side, satchels are her favorite type of bag, perfect for hiding away many objects not to be seen to the public. Chestnut brown is the choice for the carry-on, and there is one pockets besides the main bag which holds chloroform and candy. Main bag holds all her 'wonderful' items, cluttered with her dearly loves and things to show the children to make certain she is no stranger or in the clear to bring them along for 'games'. Extremely large and seemingly heavy enough to bring down the Asian woman, it holds her preferred weapons and anything else she deems necessary to the cause. There is some space left after filling it with malicious intentions, but the space is hardly enough to be considered 'half-full' or 'half-empty'. Latches and buttons are metallic gray, much to her pleasure.
Gymnastics calls for skin-tight material and aerodynamics to be secured for the individual. Mirabelle's outfit during showings and performances is more or less simplistic, the colors of crimson red and darkened gray - almost black - wrapped around the body. Her entire legs are out in the open, untouched by outfit, as are the arms. Thick straps hug the shoulders and stick to Mira till hitting the nether-region, caving in to cover the back and unnecessary part exposure. Designed to go for more 'prominent' red than gray, little patches of the latter color can be seen throughout in the form of abstract art - formless and having no bounds. For whichever activity she must perform in, Mirabelle might put on special shoes for gymnastics, these being a shiny white. During any athletic period - conditioning or real show - the flexible woman will tie back her hair into a high ponytail in a concrete gray band. These periods are where she smiles - naturally, in not the 'craziest' sense - the most frequently, showing off her pearly whites.
Hygiene protocol as articulate and compulsive - at times - as Mirabelle's asks for an explanation. Aside from the multiple washings and avoiding to touch the face, her bizarre methods extend out to daily interactions. Anyone that reaches out to touch prominent skin that has no intention close to being in a bedroom together is reacted with avoidance and dodging the casual, wanting attention poke; however, she is a bit partial to the same gender as her and feeling a nice brush of her skin. Fleeing away from unnecessary physical contact is an attempt to lessen the breakouts and beauty deflecting marks - the less time spent on cleaning, the better, in her case. Mirabelle does not exactly possess a phobia of germs, but she steers clear of dirt, which can be associate with germs to some. Dropping a fork on the floor, for example, is met with Mirabelle taking a napkin and picking up the utensil. In her house, she can wash up to two or three times a day - one for the morning and one at night, most cases - to send the daytime and nighttime potential acne causers down the drain. With her habit to not touch the face (unless, maybe, some man persuades her to), Mira resorts to cotton balls and handkerchiefs to take care of what needs to be done. Shaving practically everywhere that is not on her head makes her a very naked person, but she thinks the cause is better than the post awkward reaction. Everyday she checks for new follicles and longer nails to tend to. Often not her family do do not worry for Mirabelle's time in front of the mirror, because they all do desire for her to be at her best appearance potential possible.
So I'll not pull her tail,
Nor drive her away,
Nor drive her away,
<(Heart Luster)>
“A flower falls, even though we love it; and a weed grows, even though we do not love it”
“A flower falls, even though we love it; and a weed grows, even though we do not love it”
Sadism is the core of Mirabelle's character, 'justifying' many other traits for the Asian girl. Loving the screams, the sounds of torture, the wails and bloodcurdling cries, the obsessions for human pain and suffering drive her to perform 'insane' and ridiculous actions, inflicting ranging malaise. Easy to say, is it, that she likes to 'play' with her victims to incite more screaming; killing them off left and right would not get her goal, and death itself would only disappoint her. Due to not always knowing the individuals, most of her tactics resort to physical or psychological torture. To lead the mouse to one end of a maze while giving chase but having the poor creature scurry to the other end and repeating, so to speak on her behalf. Immediate or complete dissatisfaction arouses Mirabelle to fatally slash at her playmates, a never satiated sadism. Though she is willing to reap sadistic pleasure from anyone, children feed her better, thus the preferred victims of younger age from Mirabelle. If knowledge is granted to her, she will thrust fears into the victims' faces, hoping to salvage scares and scrambling reactions out of them. Usually the Asian likes to hold the reigns for torture schemes and protocols, but sometimes she will need the help of others or let people not herself take control of the scare factor. (Obsession of pregnancy can work the other way, so to speak. Male assistance would and will be hired should she have intelligence that a girl or man do not like men to get 'close').
Aside from spending on lavish clothes - for the appeal attraction peak - Mirabelle is thrifty, practicing a semi-strict economical ethic. Future and current torture schedules cannot and should not be spent so expensively; spending on any materials and tools would have been of barest necessity - in terms of quality and freshness. On occasion will the Asian girl indulge herself on something she wants, but only on an impulse. When her eyes seek out forgotten dropped changed on the streets, she will attempt to discern the amount on each piece or coin of currency. She will easily lose interest if the monetary amount is much too small to be invested. (Obviously so for about everyone, especially the poor). Cheap men will expect Mirabelle to pay for the extravagant social outings, but the young woman will not tolerate a notion and ditch them. They have to pay a little to 'get' a little from the Himura woman. Paying for such crude men is a major turnoff.
Obsessions run her life, but she does not fight them off. Mirabelle embraces the compulsions with glee, as they give her joy when they are complete. Children's games never presented her such pleasure. Prominently, there are two core obsessions that rule her days. Ever since she was little, Mira was overjoyed with people getting themselves hurt. Squealing with glee as a girl, but now she cackles silently or shouts when the game is on. Gifting fears or a chase are the rising action; the actual screams are the climax. Second on the list is pregnancy, which seems to contradict the eventual process of hurting said child. How such a loving process of forming the fetus leads to the hurting (and killing) of an infant is nothing to be considered by the Asian woman. Pregnancy, although, cannot be for others; the procedure should only be for her. Asian eyes glare when females not herself have conceived a small being. To ask her the reason for being obsessed with this particular thing, she might shrug; she might say that the result will give her something to look forward to (more sadist actions). All Mirabelle knows is that she ravishes both of them - to an extreme case. Nothing, she says, should stand in her way to obtain either. Neither can ever be satiated for long; Mirabelle is always craving for more, becoming numb to previous events. (Pie to the face used to give her the giggles; only the cutting of flesh and the scream to come after can satisfy her nowadays - for now).
Everyone thinks, but on their own separate levels. Mirabelle's brain complexity can be considered linear - not, per say, simple as in thinking up strategies, but she is very concentrated on the goal, which can lead to her using one method until she cannot salvage much pleasure out of the activity anymore. She only knows to keep the eyes on the prize of sadistic happiness by prolonging the pain, and the Asian female will keep to that by repeating what she knows has worked in the past Her mind is always noting the satiety of her two obsessions, with a mild thought going out to her gymnastics. In academics, she is decent or above par, B's and A's the goal, pushed on by her family. Crunching methods and formulas were always better than factual-based intelligence, and she shrugs when someone asks why she cannot grasp facts more than formulas and equations. Plans as simple as Mira's can be foiled easily if the victim is smart and has the supplies to escape with easiness.
Never can the explanation for Mirabelle's apparent hatred for men be found so easily. On the outside, she acts seductive, wanting to garner their attention by hinted words and arousal-exciting actions; but, deep inside, she loathes them going near her, them wanting to get so close. Partly because her interests are in the same gender, maybe, yet she only liked one male in her life to the point she did not feel like she had to put a guard up. She gets along better with the males solely for her goal. There is nothing beyond that. Her thoughts for the opposite sex are, for the most part, negative, saying to herelf that they are vile creatures that are piqued to have women fall behind. Women are always put down for what they lack, she felt, and she would not accept the males so easily due to the notions. Most of them were conceived from just inspecting the world, watching people interact with each other, and her opinions for men - which started as nothing as a child - grew to be dark. Outside is light, and inside is black.
Women, on the other hand, are treated with more kindness. Mirabelle acknowledges that there could never be a scarceness of available males, so there should be no conflicts with 'her own kind'. Other than the nice personality she has taken a persona to to get future victims, the Asian female can be much pleasurable - and preferable - to females, being a bit more cutesy. Flirty comments are not reserved just for males; she is definitely more biased, more positive to girls. She looks forward to being around her same gender; and, although she can try to be cute and vulnerable to them, she will never put down her dominating personality, acting like the despised males in terms of protecting her 'property'. To the one that she has the interest in, she expects herself to protect them to the best of her ability. Nothing matters if they want her to or not; she will do whatever she wants, even to their chagrin or disapproval. Sometimes, she can let go of her favorites with ease, for she thinks they are not outside from her 'torture pickings'. Not to be too biased now, she thinks. Any girls that are pregnant, though, will not receive the good reception; she does not like that others can be in their states when she cannot be. They are basically lumped together with men, her jealousy fostering rage enough for her to want to cut them open - but not yet, for to salvage the screams and cries.
On her feet, Mirabelle is sneaky, cunning to a considerable degree. She has to be sly and smart - in terms of 'outside of school' and out of factual knowledge - in order to trick the children. Some kids, she has encountered in the past, could be wary of her intentions, suspicious of strangers and older people like herself. Even with her plan in mind, the Asian female will need to think of ways to draw children to her. Various tactics and ploys are conducted, but she will not do a trial-and-error enactment for each of them; instead, the nineteen-year old will try the one she thinks works best for the victim - to not waste precious time for sadistic pleasure. She cannot bother to learn people that she wants to torture beforehand - if she does not know them prior to wanting to use them. If she does, good for her; if not, too bad. Gathering intelligence on personality and behavioral habits while chitchatting with them is part of her thinking.
By observing the environment and contemplating the possible usages, Mirabelle can be resourceful. She tries to think outside of the usual purpose of objects, attempting to not be constrained to functional fixedness. Her practical puzzle-thinking mind can allow her to think outside of the box; but, thinking differently than the practical usage does take some time. Giving pondering periods will eventually yield an odd result. Utilizing the surroundings and all the items is rare, actually, as Mirabelle usually has the materials needed to initiate the torture process; however, she might use a flexible tree limb as a whip, as an example of her resourcefulness. From time to time, the Asian girl might salvage materials in the wild to conserve money, pleasing her frugal self. Reason for why she does not collect materials so often if such a cheap labor would be her inability to fully trust materials not made by human hands. Once in a while, though, can faith be put into natural objects, especially if she is low in her store-bought 'necessities'.
Previously stated, Mirabelle is not the most intelligent in terms of facts and academics; but, to add in, she is not the most wise. Thoughts do not go to understanding deep concepts of the universe or 'silly' sayings that are common knowledge; she just knows how to do her actions correctly and nothing more. In school, her best subjects would be mathematics and classes on language, but 'trivial' topics like history would be forgotten easily. Facts do not appeal to her, and partaking in classwork and homework is tiresome to the Asian woman. In order to pass with decent or good grades, she has to invest plenty of time to study - except for the best subjects, which might go without any practice and get by exceptionally. Asking her questions on the material will usually go with a shrug, unless she happens to completely understand the concept and be able to articulate(?) in layman's terms.
Unusual as the notion sounds, Mirabelle actually loves people, but the type of admiration - in of itself - may be distorted. As they are the source of her sadistic pleasure, she has come to adore the creature known as 'human', telling herself that they are able to provide her with her need for torturing. She appreciates the 'gifts' they give her in exchange for her 'actions'. With her pain-seeking nature, Mira likes to be around people, fascinated by their emotions. (Just not as much as her own). Because she derives mirth from their pain, safe is for someone to say that the love is corrupted, 'abnormal' in context, and horrible; however, the Asian accepts the wishes of her heart with a shrug. Life is life; pain is pain; her infatuation with humanity for their screams should not be explained, she thinks. Everything is what everything is, to her mind.
Although her love for people may be off from 'normal' - a torturer-prisoner relationship, more or less - her pique in interest for gymnastics is genuine. When she is not thinking of the torture, the screams, the subtle strives for physical perfection - minus the displacement her left hand presents - the rest of thoughts are given to the art of reflexes, flexibility, and talent in the body flow. Expending energy in the sport relieves Mirabelle from any pressures outside of those satiated by screams. Concentrating in gymnastics actually puts her in a very calm state, one that almost leaves her null of feeling urges for sadism. Both fatigued physically and mentally afterwords, she is vulnerable from her violent side, surprisingly happy and serene. (Acting more 'normal' - as in not so violent - some might say). Following any gymnastic training, she will be left incapable of planning torture scenes or wanting to satisfy her scream lust. (Not that she objects). Urges to do the sport will come when they want to appear, but she trains on a bi-weekly basis, now not able to train for the reason of being a Career. No matter what, her best effort is applied in.
Neither Mirabelle's abilities or looks are her vain points, and she does not exactly like to be pretentious. She does think her talents are good - not willing to downplay them - but she does not regard herself as the absolute best. In her mind, the gymnast will think that she could improve; but, she does not think, per say, modestly. If someone were to ask her about her skills, Mirabelle will say that does think she is above average, but she will not say she is the best. Even when desires for pregnancy are high, she will say her caliber honestly, not knowing if guys would like their girls 'modest' or 'confident'. For her level, the showcase of pride is medium, and she likes the balance. Her intentions do not result in more drama or need for attention.
Crushing people under her feet is one of Mirabelle's prides, and she likes to do so very much. Though she cannot literally stomp on others (like a large man, for they are hard to topple by shoving) all the time, showing her dominance turns into the power she also wants. Pride and fairness do not affect who she is willing to tower over, so she gets the same pleasure from stepping on a child as she would a full-grown man or woman. Just the act of being master of her surroundings and people is enough to salvage superiority from. This trait does not fall under the 'abilities' that she should not be so prideful, for she does not consider dominance to be something to brag about openly. (Must be kept discreetly). Only a few moments would she let her small lust for overpowering be led by someone else - someone she must trust.
Power is the preferred topping on the dominance and obsession cakes. Though not as much wanting than for pregnancy and sadism, Mirabelle likes to have some sort of power in her hands, proving that no one - especially a man - can be greater than her. This does not particularly apply to being a group leader, however. She has discriminated between the types of 'power': One acknowledging that the control eventually is given up after a job is complete (like a school project), and the other not returned so easily. Definitely, Mirabelle wants the one not taken back, also wanting the reigns more on a clandestine fashion. Similar to her overlord-like issues, she does not particularly like to give out the 'latter' type to anyone, but on occasion will she let them - if she trusts that they would do better than her in the same position. No matter what, though, the Asian will not want to be ordered around akin to a slave or messenger; she would rather be a co-commander if anything. If ordered around as a peon, she will get bluntly angry, glaring and expressing her 'distaste' of being commanded as such. With this, Mirabelle might rebel socially; she will not get to the point of doing things her own way, in the case that her actions cost her a chance for some screams.
Added on her distorted love for people, Mirabelle is a sociable girl, the type to randomly strike up a conversation out of an urge. She is not the life of the party, but she has her discourses at her pace. Her tone is actually a bit quiet in a sense, talking in a series of short sentences in casual English. With talking, Mirabelle feels that she can get closer to individuals - to gain their favor when she does her 'private invitations' with rope and weapons. Subjects can range to anything she feels to discuss about, showcasing her variety and willingness to be around an assortment of people; and, as she talks, she will throw in smiles depending on the aura of the group or person. Gaining favor is her goal, after all. During times where she is fatigued, Mira is significantly more silent but not incapable to carry out a word exchange. While her focus normally is great, Mira after gymnastics practice is sloth-like by far comparison.
Linear thinking can make Mirabelle a dangerous foe. Brash, rushing in, and playing with victims, the Asian girl is an relentless one that can be full of bold energy. When chasing after the tortured, Mirabelle will not give up - as long as they are in her grasp. If tied to a rope, she will tug and tease; if being encountered head-on, she will also charge forward. Though not meaning that she has no fears, Mirabelle just has her goals so set on that she is willing to do a lot of actions to instill fright in the victims. Dangerous ploys give her the courage to march onward, smiling creepily all the while.