Zombies in the Park + Love Club
Aug 28, 2013 3:10:41 GMT -5
Post by chelsey on Aug 28, 2013 3:10:41 GMT -5
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THE LAST TIME I SAW THIS MANY BODIES Dad's mortuary was crowded with corpses.
Of course, these bodies are standing, dancing, mingling, and breathing - their lungs exhilarated with a circus of colliding atoms, every inhalation a breath of sweet intoxicating air, and every exhalation loosening the grip on the adrenaline that's coursing through every sweat slicked body on the rumbling dance floor.
And, of course, the corpses weren't wearing masks, either.
I have a funeral to attend tomorrow (My job is to place the body in the coffin, and help Dad lower poor Mrs. Jada into her newand quite eternalresting place. I hear soil and darkness makes for the two perfect factors for an accommodating environment, at least, the dead never told me otherwise.), with it's black dresses and crystal tears and eulogies full of one departing cliché to the next. No one dances at funerals, no one sings, no one laughs, no one even speaks. We're allowed to sit solemnly and somberly, almost as if we were the corpses, and not poor old Mrs. Jada. (It's official. I want my funeral to be a masquerade. Maybe that would get people to begin celebrating life, and not mourning it.)
Dad tries to fit me into that cookie cutter image, as if my body was dead on the street and he kept me still as he traced a chalk outline around each of my lifeless limbs. He wants me to stay still and stop singing, because what's there to sing about when your own mother is buried six feet underground? My skin should be as pale and my lips as silent as hers, but, my veins still hold blood like they're rivers, and my lungs are eager to taste an atmosphere I haven't reached, and I'm not dead, yet - and he sure as hell can't try to make me feel like it, either, especially not just because Mom already is.
I'm sure she must've sung once, too. Even if she sang only when no one was listening - even if it was only just once in a blue moon. I'm sure of it.
I'm gonna sing, tonight, even if that means jumping onto the stage, dismissing the DJ with a nonchalant "It's okay, I made a deal with Ursula Libertine," plugging in my ruby red guitar into one of the amps (of course I wouldn't leave it at home), letting my gas mask fall around my neck so my lips could touch the cold metallic mesh of the mic, and hijacking the entire music system of the party. Which, of course, I did.
I tap one of my fingers against the metal rod, making the speakers blare with an obnoxious thump, thump, thump, until placing my rouged lips against it, once more, and gently whispering, "Good evening ladies and gents, and may I just say, you all look terrifically terrifying tonight." (A pause, a smile, a few laughs from the masks in the audience who stopped whirling in their chiffon gowns and tuxes to look at me. My voice sounds static and raspy through the speakers, as if I was thirsty for something only a performance can satisfy.) "This one goes out to my girls, Tags and Caly." I raise my hand above my eyes to block out the flood of light blinding my vision on stage, and squint my eyes to survey the sea of masks in the crowd, scanning for Tags' wild hair or Caly's wide eyes. "Babes, I know you're out there somewhere, quit keeping me waiting, will ya?"
And then, I begin to sing.
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