Wild Youth //Opal&Thorn
Nov 22, 2013 4:42:52 GMT -5
Post by gamemaker kelsier on Nov 22, 2013 4:42:52 GMT -5
[atrb=cellSpacing,20,true][atrb=border,0,true][atrb=style, width: 400px; padding: 0 0 0 0px; border-radius: 10px 10px 0px 0px; background: #eeeef0; background-image: url(http://i.imgur.com/W3yHug8.png); background-repeat: no-repeat, padding-left: 0px; padding-right: 0px; padding-top: 35px; bTable] |
[atrb=style, word-spacing: 1px; text-align: justify; opacity: 0.6; padding: 35px 10px 5px 10px; border-radius: 5px;] T H O R N R A C A G R I M M . It feels like it's been entire centuries since the death of my boss, Xanthus Nefarious Grimm. He had a head full of thunder and a grin so dark that it's incredible he didn't murder all the other tributes with just one look. At least, that's what they all say about him. I never got to meet the guy, even though his own goons hired me. I was always far too low on the food chain to meet the man in charge. I suppose that's a good thing because if I ever did meet him, it might have been because I did something wrong. I don't know though, he was a cool guy to work for. At least with him, it was black and white. Do good, you get a raise; do bad, you lose fingers. Easy. Now it's just all weird, everything's out of whack. Nero Grimm is apparently our new boss, but he's meant to have a partner, some lady who used to work for the boss years ago. Word is that the boss ain't really pleased about that because she's proving hard to find. Aw though, it's not like the likes of me care much, as long as I'm still getting paid and all, I don't have a whole lot of worries about how many bosses I have. It's funny though because now I've been put on security for this stupid party that the Grimm family is hosting. Nero's getting married to some Shore, when Opal is the one who killed Xanthus Grimm. So I'm a bit lost because I'm pretty sure we shouldn't be marrying into the family that did it. Apparently, it's really good for our families to be connected because the Shores are powerful and rich. I don't see it because so are the Grimms, so what's the point of marrying your enemy? Rich people are crazy. Since I've been on security, I've been getting a lot of looks. It's a black tie event and I borrowed something off of one of the guys because I can't afford nice threads. My hair, longer than usual, touches my neck and I swear I've grown at least a billion inches since the games. People are always glancing at me, and then taking a second look. Once I even got an uncertain, "Mr. Grimm?" That's funny because as far as I can tell, all the Grimms are outlandish as hell. Word is that one of them is even a robot. I look too natural, too plain to be a Grimm. All I know is that I really don't like this sort of thing. I'd rather be out there with my mates, beating up some guys from the other gangs, and playing drinking games. This tie is too tight and everything smells super sweet. I swear, these posers must think they're from the Capitol because everything is really fancy. I consider stealing a silver spoon but I think they'd notice. It's depressing that even one of these tiny dessert spoons could pay for a month's worth of electricity. Hey though, if there is anything my mom taught me, it's to be honest, hardworking, and loyal. Stealing a spoon from your boss doesn't fall under any of those things. I resist the urge. Instead I decide to patrol the house like I'm meant to. I've got Mona in my ear, she's on the grounds, trying to sniff out some party crashers, nothing serious though. With a sigh, I take myself upstairs, the map of the house memorized with precision. The layout is in my head. It's weird walking through a dead man's house, specifically when said dead man was my boss. I liked not knowing who the man behind the orders was. I guess I still don't, but now that I know what colour his carpets are, I feel like maybe I know something. about the guy. I let my feet take me along, the sounds of the party in the ballroom getting quieter and quieter the farther I walk. Everything is old portraits and heavy velvet curtains. There's a certain sort of darkness that holds it's self to these walls even with the weak and guttering glow of gas light. The guy was rich enough to have electric lighting. Something tells me that he liked the dark. I walk until I reach the end of the hallway, then promptly turn on my heel to walk to the other end. Something stops me. Where all the other doors were shut tight and the strip underneath dark, the one here is open slightly with weak light filtering through. They say curiosity kills the cat, but I'm no cat and if this turns out to be a security threat that I didn't go for, I'd be losing more than one finger. My hand rests on my belt, where a weapon designed by none other than Nero Grimm sits. Taking a deep breath, I tug it out and grip it tight with two hands. Nudging the door open with my foot, I rest against the frame of the door and turn sharply into the room. I expect to see something dangerous, like a guy all in black, or a woman pointing a gun at me, but all I see is a girl in fine dress, sitting in the arm chair by the fire with something that probably isn't her's in her lap. Anger surges through me. She can't just look through other people's things. Even if they are dead. I study her for a moment before gliding silently across the floor to stand just a few steps away. "You're not meant to be here. This is off limits, what are you doing?" I ask her, voice characteristically soft and dangerous. Shadows settle on the place, t h a t y o u l e f t . Our minds are troubled by t h e e m p t i n e s s . |