house so empty, need a centerpiece / i|c #explorestiltedm
Feb 26, 2017 21:28:31 GMT -5
Post by gamemaker kelsier on Feb 26, 2017 21:28:31 GMT -5
INGRAN ANSGOT
"look what you've done
i'm a motherfucking starboy"
We run down a sea of stairs. Around us, sets twist and turn off in different directions, tempting. I consider them, wonder how we can know which set will get us to where we need to go. Tributes pass us, some far off in the distance, in the corner of my eye, some so close that I can almost reach out and touch them. Castor doesn't want to stop again. I make a note of the faces we pass by, a mental kill list forming in my head.
I don't even realize I'm doing it until I'm imagining some blonde bitch with a spike through her throat, thinking about her blood spraying out of her, about the horrified expression on her face, thinking about the gurgling sounds she'll make when she drowns on herself. Killing people with bits of themselves is the most entertaining.
I let Castor run slightly ahead of me, never one to let anyone run behind me. I've never allowed myself to be vulnerable. A door is in sight and she's yammering on and on about Jano, complaining about how we have to get to him and blah blah blah. It's boring. One person can't care so much about another like that, she must be overcompensating. "Shut your fucking mouth, think I give a shit," I say, phrased like a question but not asking. I don't want or need an answer. Anymore about Jano and I think I might just cut off my own fucking ears.
We reach a door finally and go through, the sturdiness of the wood almost palatable after the confusion of the stairs. It isn't hard to wrap my head around, as hard as it should be. There were so many whispers back in six that I was insane. It makes sense that I'd fit in here. I can feel myself settling, growing attached already. The constant clamour that lives in the back of my head is quieting and things are becoming clearer.
I will never leave here.
Even if I do, I won't be gone from here. My footstep is on the final stair, stuck there, painted on like a signature. I've made art. I'm made of art, being here. The confusion that's experimented with my head since I was little, driving me crazy, it fits here. Getting lost in an endless stair, running. Running and running and running as far as I can go, always running away from that night I watched my parents die and something inside of me broke into so many pieces I couldn't count them.
My mind's the weakest link, the most broken piece of me.
The room we enter is expected because it is unexpected. I look up at a glass ceiling covered in low hanging vines. There are cracks. It looks abandoned. I press my tongue against my teeth, eyes taking in the work that needs to be done in the greenhouse. A broken chair stands in the corner of the small room and broken glass lets in filtered light above. The door slams shut behind me and I step forward, taking the moment free from chaos to collect myself. Someone knew we were coming here.
Maybe we were directed.
A small package floats down from the largest hole in the glass above our heads. A cross is carved into the capsule, indicating it's for me. I toss the parachute over my shoulder and open it, fingers stilling for a moment when my eyes fall on the gold crayon nestled inside. I think about the one I left behind at the cornucopia, the regret at not picking it up. How could someone have known that it was what I wanted.
Why would someone sponsor a fucking crayon.
I toss the packaging aside and stare at it, ignoring Castor. She's scrabbling at the weeds in the ground, talking shit. My pockets overflow with crayons. I think about the cornucopia. I can't recall seeing weapons there or anything useful really, just the crayons.
"Who gives a fuck about some weeds, we need weapons."
I'm not fucking stupid.
I walk forward and try to see out one of the grime covered glass pains of the greenhouse but there's nothing visible, as if the outside has been hidden on purpose. It doesn't worry me like it should. I raise the gold crayon experimentally and push it against a large pain of glass, drawing a long line from memory.
It feels different, strange. The substance I draw on should feel smooth and my crayon should glide easily but it feels rough, sturdy. It feels like I'm pushing into some sort of void, similar to the way shoving a blade into skin does. At the end of the line I curve up, drawing a blade with a tooth, wicked and sharp looking. I sketch idly, carving swirls into the blade of the weapon. Castor continues to kneel in the dirt behind me, fingers sorting through a pile of dead looking weeds. Women have strange pastimes.
I finish the drawing neatly with another long line and then a short one to meet the other that began it. My end result is a long pole with a lethal looking, ornate blade at the end.
It glitters on the pane of glass, the weak sunlight behind it making it look better than it is. I'm a hired gun in a drug cartel, not an artist.
I stare at it intently, waiting.
[receives gold ii in sponsorship]
[draws a glaive]
[draws a glaive]