sunrise at 06:42 | charlie & teddy
Sept 4, 2017 13:43:41 GMT -5
Post by shrimp on Sept 4, 2017 13:43:41 GMT -5
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The walls are stark white, the room all corners and straight lines. Charlie glances at the window, the screen filled with a beachside scenery, the cawing of seagulls and a lapping ocean softly plays in the room. Gently, she reaches for the control and turns it off. The image that replaces it is of a cityscape, dark for once and without the beeping of taxicabs or monorail lines. The skyline is a peach speckled with apricot.
Her eyes turn towards the boy in the hospital bed, mere feet away from her. Charlie adjusts herself in her chair, placed at the foot of his resting place. She shrugs on her thick cardigan, knit from sheepish wool and dyed a warm gray. Somewhere outside a pigeon crows.
Xenia, her former assistant, advised that she not come; there's no guarantee that she wouldn't be attacked the moment Theodore Ursa opened his eyes, no guarantee that one of the most important women in Panem today would leave with her head attached to her shoulders. Charlie paid her no mind, pouring her assistant a cup of coffee as they sat at the gamemaker's kitchen table three hours ago. Then, sighing, Xenia called the training center, letting them know that a visitor would be there shortly, that the escort needn't appear. There was, of course, no mentor to contact.
There's a slight throbbing in her head, she attributes it to the lack of sleep. Instead she simply looks on, pupils scanning, brain analyzing. She crosses her legs, puts her hands in her lap. It's been two days since Teddy Ursa was brought back from the arena on the brink of death. Yet the medicine has done its wonders - he looks almost completely healthy.
(Her mind traces back to a mayor who smiled as blood trickled, who fell in love with his own, who donned an eyepatch in revenge. Appearances mean nothing.)
When his eyes flicker open, she doesn't smile - her face is as neutral as the walls. Her voice however, is quieter, a barely detectable roughness sewn into her timbre.
"Good morning."
Her eyes turn towards the boy in the hospital bed, mere feet away from her. Charlie adjusts herself in her chair, placed at the foot of his resting place. She shrugs on her thick cardigan, knit from sheepish wool and dyed a warm gray. Somewhere outside a pigeon crows.
Xenia, her former assistant, advised that she not come; there's no guarantee that she wouldn't be attacked the moment Theodore Ursa opened his eyes, no guarantee that one of the most important women in Panem today would leave with her head attached to her shoulders. Charlie paid her no mind, pouring her assistant a cup of coffee as they sat at the gamemaker's kitchen table three hours ago. Then, sighing, Xenia called the training center, letting them know that a visitor would be there shortly, that the escort needn't appear. There was, of course, no mentor to contact.
There's a slight throbbing in her head, she attributes it to the lack of sleep. Instead she simply looks on, pupils scanning, brain analyzing. She crosses her legs, puts her hands in her lap. It's been two days since Teddy Ursa was brought back from the arena on the brink of death. Yet the medicine has done its wonders - he looks almost completely healthy.
(Her mind traces back to a mayor who smiled as blood trickled, who fell in love with his own, who donned an eyepatch in revenge. Appearances mean nothing.)
When his eyes flicker open, she doesn't smile - her face is as neutral as the walls. Her voice however, is quieter, a barely detectable roughness sewn into her timbre.
"Good morning."
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